The fourth darkest of the six Glass Alchemy Cobalt colours, Cobalt-4, 514 was designed to provide artists with the ideal cobalt blue for small blown work and old skool surface work.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

The fourth darkest of the six Glass Alchemy Cobalt colours, Cobalt-4, 514 was designed to provide artists with the ideal cobalt blue for small blown work and old skool surface work.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

A great addition to the Glass Alchemy transparent palette, Blue Dream is a vibrant bold blue that looks great sculpted and really pops.

Working Tip:Try layering Blue Dream to achieve a blue tint, or using it in thick solid sections to achieve a vibrant blue

A great addition to the Glass Alchemy transparent palette, Blue Dream is a vibrant bold blue that looks great sculpted and really pops.

Working Tip:Try layering Blue Dream to achieve a blue tint, or using it in thick solid sections to achieve a vibrant blue

Black Violet, 974 was part of Glass Alchemy's initial introduction of colours. At the time the market needed a black that did not boil and we introduced 3 new blacks to choose from. Black Violet is a deep translucent that is extremely workable, great for beads and other sculptural projects. It is popular because it flows together without transition lines, is very shiny and the surface does not easily reduce.

Black Violet, 974 was part of Glass Alchemy's initial introduction of colours. At the time the market needed a black that did not boil and we introduced 3 new blacks to choose from. Black Violet is a deep translucent that is extremely workable, great for beads and other sculptural projects. It is popular because it flows together without transition lines, is very shiny and the surface does not easily reduce.

Beryl, 833 was designed as an organic colour to fill a huge hole in the borosilicate palette. A colour that is seen (but not often noticed) in nature and called retro by those that recall the oil lamps and cruets of the 60's, Beryl, 833 makes a great bead colour, is useful as a tint or sculptural colour.

Working Tip: Work in neutral flame to avoid reduction (red streaks)

Beryl, 833 was designed as an organic colour to fill a huge hole in the borosilicate palette. A colour that is seen (but not often noticed) in nature and called retro by those that recall the oil lamps and cruets of the 60's, Beryl, 833 makes a great bead colour, is useful as a tint or sculptural colour.

Working Tip: Work in neutral flame to avoid reduction (red streaks)

Henry designed this colour for Susan to look like a Japanese ceramic glaze.

Working Tip: Flame or kiln strike 1075F. Work neutral; reduce at end for metallic effects.

Henry designed this colour for Susan to look like a Japanese ceramic glaze.

Working Tip: Flame or kiln strike 1075F. Work neutral; reduce at end for metallic effects.

Alchemy Mint, 441 is an opaque celadon green that works well in fades, backgrounds to pop other colours or as an off white, especially in stringer applications.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F.

Alchemy Mint, 441 is an opaque celadon green that works well in fades, backgrounds to pop other colours or as an off white, especially in stringer applications.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F.

Glass Alchemy crushed  frit , size 38  frit x 100grm.

Medium Size