Really Teally, 544 is an easy to work opaque blue that falls between Agua Azul and Peacock. This colour was designed to fill out the blue-green palette, providing the perfect colour to round out the fade.

Working Tip: Work this colour in a neutral flame.  Garage at 975° F, Anneal at 1050° F.

Purple Luster, 386 was designed to provide you with a vibrant purple upon striking.

Working Tip: Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Purple Luster, 386 was designed to provide you with a vibrant purple upon striking.

Working Tip: Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Product Details:

Plasma is a First-Gen version of Serum.  Get the same great colour shift at a lower price!!

Product Details:

Plasma is a First-Gen version of Serum.  Get the same great colour shift at a lower price!!

Peacock, 546 was designed as part of a series of 6 blues and greens to provide a range of hues and intensities that would work well with each other as well as set off the bright crayon colours. An easy to work dark opaque blue that is often copied but never duplicated.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F.

Peacock, 546 was designed as part of a series of 6 blues and greens to provide a range of hues and intensities that would work well with each other as well as set off the bright crayon colours. An easy to work dark opaque blue that is often copied but never duplicated.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F.

Part of our Neo-Cad™ line, we are bringing you a new, highly workable cadmium based colour.  OJ is a bright vibrant orange that is great for sculptural applications.

Part of our Neo-Cad™ line, we are bringing you a new, highly workable cadmium based colour.  OJ is a bright vibrant orange that is great for sculptural applications.

Dragon's Blood, 1939 is a self striking ruby colour. This colour has been designed to strike back to a rich ruby red in the flame. 
Working Tip: This colour will strike back as it cools. Dragon’s Blood will strike to a deeper red in the flame or kiln

Disco Sparkle, 9958 is an exciting sparkle colour. It is a concentrated silver metallic colour in a clear base. This allows Disco Sparkle, 9958 to be mixed into almost any colour. While many people use the colour full strength, others mix it down as much as 10 parts of clear (or colour) to 1 part of Disco Sparkle, 9958. Even if using the rod full strength it is best to remix the colour prior to using for a smooth, highly reflective surface.

Working Tip:  Disco likes to be worked cool as to avoid yellowing... Treat it like a Crayon colour.

Disco Sparkle, 9958 is an exciting sparkle colour. It is a concentrated silver metallic colour in a clear base. This allows Disco Sparkle, 9958 to be mixed into almost any colour. While many people use the colour full strength, others mix it down as much as 10 parts of clear (or colour) to 1 part of Disco Sparkle, 9958. Even if using the rod full strength it is best to remix the colour prior to using for a smooth, highly reflective surface.

Working Tip:  Disco likes to be worked cool as to avoid yellowing... Treat it like a Crayon colour.

Cobalt-6, 516 was one of our early releases. The darkest of the Glass Alchemy cobalt colours we were faced with, "how dark is too dark"? We had the millifiori maker and the stringer puller in mind when we developed this colour. Now one of our most popular colours, it is used by many any time they need a denser dark colour.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

Cobalt-6, 516 was one of our early releases. The darkest of the Glass Alchemy cobalt colours we were faced with, "how dark is too dark"? We had the millifiori maker and the stringer puller in mind when we developed this colour. Now one of our most popular colours, it is used by many any time they need a denser dark colour.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

One of our most popular cobalt colours, Cobalt-5, 515 provides the artist with a highly saturated, easy to work blue.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

One of our most popular cobalt colours, Cobalt-5, 515 provides the artist with a highly saturated, easy to work blue.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

The fourth darkest of the six Glass Alchemy Cobalt colours, Cobalt-4, 514 was designed to provide artists with the ideal cobalt blue for small blown work and old skool surface work.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

The fourth darkest of the six Glass Alchemy Cobalt colours, Cobalt-4, 514 was designed to provide artists with the ideal cobalt blue for small blown work and old skool surface work.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

A great addition to the Glass Alchemy transparent palette, Blue Dream is a vibrant bold blue that looks great sculpted and really pops.

Working Tip:Try layering Blue Dream to achieve a blue tint, or using it in thick solid sections to achieve a vibrant blue

A great addition to the Glass Alchemy transparent palette, Blue Dream is a vibrant bold blue that looks great sculpted and really pops.

Working Tip:Try layering Blue Dream to achieve a blue tint, or using it in thick solid sections to achieve a vibrant blue

Black Violet, 974 was part of Glass Alchemy's initial introduction of colours. At the time the market needed a black that did not boil and we introduced 3 new blacks to choose from. Black Violet is a deep translucent that is extremely workable, great for beads and other sculptural projects. It is popular because it flows together without transition lines, is very shiny and the surface does not easily reduce.

Black Violet, 974 was part of Glass Alchemy's initial introduction of colours. At the time the market needed a black that did not boil and we introduced 3 new blacks to choose from. Black Violet is a deep translucent that is extremely workable, great for beads and other sculptural projects. It is popular because it flows together without transition lines, is very shiny and the surface does not easily reduce.

Beryl, 833 was designed as an organic colour to fill a huge hole in the borosilicate palette. A colour that is seen (but not often noticed) in nature and called retro by those that recall the oil lamps and cruets of the 60's, Beryl, 833 makes a great bead colour, is useful as a tint or sculptural colour.

Working Tip: Work in neutral flame to avoid reduction (red streaks)

Beryl, 833 was designed as an organic colour to fill a huge hole in the borosilicate palette. A colour that is seen (but not often noticed) in nature and called retro by those that recall the oil lamps and cruets of the 60's, Beryl, 833 makes a great bead colour, is useful as a tint or sculptural colour.

Working Tip: Work in neutral flame to avoid reduction (red streaks)