NEW

Northstar Boro Absinthe Full Rod

Absinthe First

NS-143 Absinthe was developed to meet the demand by artists for new and exciting transparent colours.The glass will present similar working characteristics as NS-66 Sublime with a stronger emerald green colour.

NEW

Northstar Amber Purple Odd Tube 500grm

NS-013 Amber/Purple: Of the striking colours in the borosilicate palette the Amber/purples are some of the most exciting. NS-013 is the first in a series of five Amber/Purple colours. It is well suited for sculpture and moderately thin blown work.
NEW

Northstar Amber Purple Odd Tube 328grm

NS-013 Amber/Purple: Of the striking colours in the borosilicate palette the Amber/purples are some of the most exciting. NS-013 is the first in a series of five Amber/Purple colours. It is well suited for sculpture and moderately thin blown work.
NEW

Northhstar Boro Lucy Fine Frit, 50grm

A 50grm bag of Northstar Lucy Fine Frit

125grms of Northstar Goldenrod

Goldenrod First,

NS-084 Goldenrod is a bright, saturated intense opaque dark yellow. It is well suited for stringer application and thin blown work. It is not terribly sensitive to flame chemistry but stay out of overly reducing flames. Goldenrod however is heat sensitive so it must be worked carefully to prevent boiling. Encasing with clear is another method to shielding the colour, but not necessary. Canary can be easily worked on the surface and will not boil or scar if worked carefully in a soft flame. For a nice colour effect layer NS-013 Amber/Purple over NS-084 Goldenrod.

125grm of Northstar Turquesa

NS-020 Dark Cobalt is the second most saturated of the four shades of cobalt blue Northstar produces. Dark Cobalt is well suited for thin blown work and cane work. Because of its intensity it must be worked in an oxidizing flame to prevent greying.

125grm of Northstar Turbo Cobalt

Turbo Cobalt First,

NS-033 Turbo Cobalt is the most intense cobalt blue in the Northstar palette. It is great for stringer application, and stretching out thin. If kept moderately thick, Turbo Cobalt is an excellent faux black. Because of its intensity, NS-033 Turbo Cobalt must be worked in a highly oxidizing flame to prevent greying. If however you are looking for a battleship grey, it can be achieved by working Turbo Cobalt in a heavily reducing flame. For a nice colour combination try layering NS-026 Double Amber/Purple over NS-033 Turbo Cobalt.

NEW

125grm of Northstar Transparent Green

NS-024 Transparent Green is a transparent emerald green. It is intense enough for blown work and looks great in sculpture. NS-024 is sensitive to atmosphere and in order to maintain its original colour, work in an oxidizing flame. If worked in a reducing flame, NS-024 will develop brick red streaks. Try layering Transparent Green over NS-053 Forest Green or NS-027 Green Exotic for exciting effects. Refer to Northstar Newsletter issue 6 under the heading ‘The Importance of Oxidation’ for additional information.

125grm of Northstar Tan Silver Creek

Tan Silver Creek First,

NS-114 Tan Silver Creek is a yellowish cream colour. It can yield rich purplish blue and creamy tan tones. When kept in a more oxidizing environment, you will get more of the blues and purples. If reduced, a silvery haze will appear on the surface. NS-114 Tan Silver Creek is easy to work and can take a lot of heat which makes it a forgiving striking colour. It can be stretched out and is good for blown work and sculpture. If you are looking for something even more intense, try NS-44 Caramel or NS-102 Silver Bullet.

125grm of Northstar Sublime

NS-066 Sublime is a transparent iridescent signal light green. It is the most eye catching borosilicate transparent colour in the palette. Sublime is atmospherically stable meaning it can be worked in any flame without the colour being affected. It is a member of the transparent family but it is saturated enough for thin blown work. Its most exciting application is as an overlay colour. It looks amazing over NS-081 Blue Caramel

125grm of Northstar Star White

Star White First,

NS-054 Star White is a creamy fully opaque white. It is an indispensable colour in the palette for all applications. It is great for sculpture, stringers, blown work, and backings for all transparent colours. With several reformulations Star White has been turned into an easy colour to work. It is atmospherically stable meaning it can be worked in any flame without the colour being affected. To prevent any boiling issues, heat NS-054 Star White slowly and gently. Once the colour is glowing it can take a lot of heat. The trick is patience with a soft flame!

125grm of Northstar Skyline

Skyline First,

NS-083 Skyline is a fully opaque bright baby blue. It is well suited for stringer applications and blown work. It is not sensitive to reduction but must be heated up slowly to prevent boiling. Once the colour is glowing it will take a lot of heat. Skyline is also a great background colour for many transparent colours.

125grm of Northstar Silver Creek

Silver Creek First,

NS-105 Silver Creek is a silver based colour which produces the most exciting metallic purples and vermilions as well as silvery greens and blues. It is a very stable colour. It behaves similarly in the flame as NS-13 Amber Purple and NS-26 Double Amber Purple, but because of its greater core range, more care has to be taken to prevent reduction and boiling. NS-105 Silver Creek can be stretched and can be blown relatively thin without losing the vibrant colours. Try using with other colours to achieve multi layered colour combinations.

125grm of Northstar Silver Bullet

NS-102 Silver Bullet is a look alike of NS-44 Caramel. It is a rich silvery tan color that can be stretched out thin. It is great for stringer application and blown work. Work in a hot neutral to oxidizing flame for bright tan colors. To bring out the silvery mirror like sheen, bathe the piece in a reducing flame. Try NS-07 Ruby or NS-13 Amber Purple over NS-102 Silver Bullet.

125grm of Northstar Rust

Rust First,

NS-043 Rust is a fully opaque striking ruby. It can yield a bright porcelain red, and rich earthy browns. Work Rust in a hot neutral to slightly oxidizing flame. It can be flame struck or kiln struck. It is well suited for sculpture as well as blown work. It is also useful as a backing for transparent striking colours.

125grm of Northstar Rootbeer

NS-037 Rootbeer is a striking red that can yield numerous effects ranging from rich blues and purples to reds and earthy browns. Rootbeer is well suited for sculpture and blown work of all thickness. It can be kiln or flame struck. It strikes more quickly than any other striking reds, so plan carefully. Work in a neutral to oxidizing flame to keep it from developing any liveliness. Try it with a backing of NS-065 Cherry.

125grm of Northstar Purple Urple

Purple Urple First,

NS-101 Purple Urple is a dark purple that looks like NS-80 Hyacinth but works differently in the flame. This opaque purple uses chrome based technology but does not have cracking problems. It is great for blown work and thin stringer application. It is heat and flame sensitive so it must be heated up slowly to prevent boiling. Once it glows red, NS-101 Purple Urple will take heat well. Because of its intensity it is sensitive to reduction. If the flame is not oxidizing enough, grey and brown streaks will develop on the surface of the glass. Try it with a layer of NS-32 Violet for a deep purple effect.

125grm of Northstar Purple Lilac

Purple Lilac First,

We recommend using this colour in any type of flame. For a more opaque colour use a slightly reducing flame and for beautiful transparent colour use an oxidizing flame. This colour can be used in any application without problems as well. We consider this colour to be a striking colour so the more you anneal it the more opaque it will turn. Please remember that if you thin out the colour too much you will not be able to bring it back to a nice opaque colour.

125grm of Northstar Poppy

Poppy First,

NS-085 Poppy is the most eye catching, saturated, and easy working member of the intense opaque family. It is a deep Halloween orange great for stringer applications and thin blown work. It is hardly sensitive to flame chemistry, but it must be worked carefully to prevent boiling. Encasing with clear is another method to shielding the colour, but not necessary. Poppy can be easily worked on the surface and will not boil or scar if worked carefully in a soft flame. For a nice colour effect layer your favourite light Ruby over the surface of NS-085 Poppy.

125grm of Northstar Plum Krazy

Plum Krazy First,

NS-093 Plum Krazy is a dark transparent faux purple that strikes to a rich smoky blue. Work in a cool oxidizing flame to prevent overheating and striking the colour. When ready to strike, either kiln at 1050F or bathe the glass in a gentle bushy neutral flame to bring out the soft blue strike. This colour is best suited for moderately thick coil-potted blown work and sculptural applications. When encased in clear this colour produces a vibrant violet with wisps of metallic blue. Be sure to try it over NS-054 Star White or NS-081 Blue Caramel. Prolonged reduction leads to a greyish blue opaque surface.