Singular Passion is the least saturated sibling in the Glass Alchemy Passion family. This colour is designed to stay in the yellow range and looks great layered over other colours. Easy to use and control, this colour is a great addition to any palette.

Working Tip: Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Sienna Brown, 864 was one of our first six colours. An elegant brown created to fit into the mostly transparent palette at the time, this colour easily falls into several colour schemes. It becomes deeper in tone, approaching black as it is melted into larger gathers.

Working Tip: Work in neutral flame to avoid reduction (black with grey wisps)

Sienna Brown, 864 was one of our first six colours. An elegant brown created to fit into the mostly transparent palette at the time, this colour easily falls into several colour schemes. It becomes deeper in tone, approaching black as it is melted into larger gathers.

Working Tip: Work in neutral flame to avoid reduction (black with grey wisps)

Serum is the first CFL Activated colour by Glass Alchemy.  This colour shifts from a champagne to a rose colour as you move it from natural to fluorescent light. 

Fluorescent light = Pink

Natural light = Champagne

Serum is the first CFL Activated colour by Glass Alchemy.  This colour shifts from a champagne to a rose colour as you move it from natural to fluorescent light. 

Fluorescent light = Pink

Natural light = Champagne

Sapphire, 5595 is a Brilliant Blue based sparkle colour utilizing the next generation sparkle technology found in Paparazzi.

Working Tip:  This colour likes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a grey haze. As with all chrome colours.

Sapphire, 5595 is a Brilliant Blue based sparkle colou utilizing the next generation sparkle technology found in Paparazzi.

Working Tip:  This colour ikes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a greyaze. As with all chrome colours.

Rozay Rods are a pink version of Purple Rain. Rozay is a vibrant, smooth transparent pink colour that really pops.

Working Tip: Try layering Rozay to achieve a pink tint, or using it in thick solid sections to achieve a vibrant pink.

Really Teally, 544 is an easy to work opaque blue that falls between Agua Azul and Peacock. This colour was designed to fill out the blue-green palette, providing the perfect colour to round out the fade.

Working Tip: Work this colour in a neutral flame.  Garage at 975° F, Anneal at 1050° F.

Really Teally, 544 is an easy to work opaque blue that falls between Agua Azul and Peacock. This colour was designed to fill out the blue-green palette, providing the perfect colour to round out the fade.

Working Tip: Work this colour in a neutral flame.  Garage at 975° F, Anneal at 1050° F.

Purple Luster, 386 was designed to provide you with a vibrant purple upon striking.

Working Tip: Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Purple Luster, 386 was designed to provide you with a vibrant purple upon striking.

Working Tip: Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Product Details:

Plasma is a First-Gen version of Serum.  Get the same great colour shift at a lower price!!

Product Details:

Plasma is a First-Gen version of Serum.  Get the same great colour shift at a lower price!!

Peacock, 546 was designed as part of a series of 6 blues and greens to provide a range of hues and intensities that would work well with each other as well as set off the bright crayon colours. An easy to work dark opaque blue that is often copied but never duplicated.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F.

Peacock, 546 was designed as part of a series of 6 blues and greens to provide a range of hues and intensities that would work well with each other as well as set off the bright crayon colours. An easy to work dark opaque blue that is often copied but never duplicated.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F.

Part of our Neo-Cad™ line, we are bringing you a new, highly workable cadmium based colour.  OJ is a bright vibrant orange that is great for sculptural applications.

Part of our Neo-Cad™ line, we are bringing you a new, highly workable cadmium based colour.  OJ is a bright vibrant orange that is great for sculptural applications.

Dragon's Eye, 4838 was developed originally for the beaders who are on constant search for a new colour to diversify their creations. To meet the challenge we created a new green tone. We then added enough colour changing silver to allow organic shifts in the colour without overpowering the green or creating mud, and continue to transmit light without appearing transparent. This is a fantastic surface colour that has a wide range of possibilities.

Working Tip: Flame or kiln strike at 1075°F. Work neutral; reduce at end for metallic effects.

Dragon's Blood, 1939 is a self striking ruby colour. This colour has been designed to strike back to a rich ruby red in the flame. 
Working Tip: This colour will strike back as it cools. Dragon’s Blood will strike to a deeper red in the flame or kiln

Disco Sparkle, 9958 is an exciting sparkle colour. It is a concentrated silver metallic colour in a clear base. This allows Disco Sparkle, 9958 to be mixed into almost any colour. While many people use the colour full strength, others mix it down as much as 10 parts of clear (or colour) to 1 part of Disco Sparkle, 9958. Even if using the rod full strength it is best to remix the colour prior to using for a smooth, highly reflective surface.

Working Tip:  Disco likes to be worked cool as to avoid yellowing... Treat it like a Crayon colour.

Disco Sparkle, 9958 is an exciting sparkle colour. It is a concentrated silver metallic colour in a clear base. This allows Disco Sparkle, 9958 to be mixed into almost any colour. While many people use the colour full strength, others mix it down as much as 10 parts of clear (or colour) to 1 part of Disco Sparkle, 9958. Even if using the rod full strength it is best to remix the colour prior to using for a smooth, highly reflective surface.

Working Tip:  Disco likes to be worked cool as to avoid yellowing... Treat it like a Crayon colour.

Cobalt-6, 516 was one of our early releases. The darkest of the Glass Alchemy cobalt colours we were faced with, "how dark is too dark"? We had the millifiori maker and the stringer puller in mind when we developed this colour. Now one of our most popular colours, it is used by many any time they need a denser dark colour.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

Cobalt-6, 516 was one of our early releases. The darkest of the Glass Alchemy cobalt colours we were faced with, "how dark is too dark"? We had the millifiori maker and the stringer puller in mind when we developed this colour. Now one of our most popular colours, it is used by many any time they need a denser dark colour.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)

One of our most popular cobalt colours, Cobalt-5, 515 provides the artist with a highly saturated, easy to work blue.

Working Tip: Work in neutral flame to avoid reduction (grey streaks)