Turquoise, 445 was inspired by Southwest American Indian art. To mimic natural turquoise we wanted a colour that would develop organic red highlights within the green colouration like the stone.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F. Use of reduction at the end of the project can produce subtle red tones.

Triple Passion, 786 was introduced as an easy striking amber to purple colour. Due to its formulation this colour quickly, easily and consistently strikes through a wide range of bright and delightful purples. The use of colour-changing borosilicate exploded soon after Glass Alchemy introduced this colour to the market. This is a must have in every glass studio!

Working Tip:  Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Tree Hugger, 4497 is darker than Shamrock and is a bold dark green.  Like Shamrock, Tree Hugger is smooth, creamy and easy to work.
Working Tip: Work this colour in a neutral flame.  Garage at 975° F, Anneal at 1050° F.

Tree Hugger, 4497 is darker than Shamrock and is a bold dark green.  Like Shamrock, Tree Hugger is smooth, creamy and easy to work.
Working Tip: Work this colour in a neutral flame.  Garage at 975° F, Anneal at 1050° F.

Tiger's Eye is a Beryl based sparkle colour utilizing the next generation sparkle technology found in Paparazzi.

Working Tip:  This colour likes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a grey haze. As with all chrome colours

Tiger's Eye is a Beryl based sparkle colour utilizing the next generation sparkle technology found in Paparazzi.

Working Tip:  This colour likes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a grey haze. As with all chrome colours

Tequila Sunrise, 2380 is a light version of Persimmon Strike, 2383, providing more nuance and control to the artist.                           Working Tip:  Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Tequila Sunrise, 2380 is a light version of Persimmon Strike, 2383, providing more nuance and control to the artist.

Working Tip:  Get this colour white hot to erase the striking history. A variety of effects are achievable depending on how long you flame/kiln strike.

Starry Night, 4585 is a variation of the much loved Paparazzi, 4595.  We added a touch of silver so you can yield a nice mild strike, while still seeing the depth of sparkle.

 Working Tip:  This colour likes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a grey haze. As with all chrome colours, we suggest you work this colour in a neutral flame.  Garage at 975° F, Anneal at 1050° F.

Starry Night, 4585 is a variation of the much loved Paparazzi, 4595.  We added a touch of silver so you can yield a nice mild strike, while still seeing the depth of sparkle.

Working Tip:  This colour likes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a grey haze. As with all chrome colours, we suggest you work this colour in a neutral flame.  Garage at 975° F, Anneal at 1050° F.

Glue Stick is a semi-transparent white and has similar working properties to Ether and Mystique.

Working Tip: Work it hot or cool, in as close to a neutral flame as possible. Try thinning it out for a milky tint. Blow-outs work best for the Pastel colors.

First Quality Product Specifications:
Each rod is 20 inches long and approximately 7mm in diameter

Glue Stick is a semi-transparent white and has similar working properties to Ether and Mystique.

Working Tip: Work it hot or cool, in as close to a neutral flame as possible. Try thinning it out for a milky tint. Blow-outs work best for the Pastel colorus.

First Quality Product Specifications:
Each rod is 20 inches long and approximately 7mm in diameter

Product Details:

This pastel green is a highly workable and compatible translucent colour. 

Antidote works really well in all flame types and has held up to every test it has been put through, from simple murrine to solid sculpture.

Working Tip: Work it hot or cool, in as close to a neutral flame as possible. Try thinning it out for a milky tint.

Andromeda is a striking sparkle colour that takes the Triple Passion strike and the sparkle of Paparazzi and combines them in one!

Working Tip: Work this colour like you would Triple Passion or a similar striking colour. Since this colour also has chrome it in work it in a neutral flame and garage at 975° F, Anneal at 1050° F.

Silver Strike-5, 385 gives the artist control over the outcome. The more you work this colour the more intriguing the final result will be.

Working Tip: Heat to a dull orange and cool multiple times to strike the colour. Use a reducing flame to create the popular bleached tones

Silver Strike-5, 385 gives the artist control over the outcome. The more you work this colour the more intriguing the final result will be.

Working Tip: Heat to a dull orange and cool multiple times to strike the colour. Use a reducing flame to create the popular bleached tones

Sienna Brown, 864 was one of our first six colours. An elegant brown created to fit into the mostly transparent palette at the time, this colour easily falls into several colour schemes. It becomes deeper in tone, approaching black as it is melted into larger gathers.

Working Tip: Work in neutral flame to avoid reduction (black with grey wisps)

Sienna Brown, 864 was one of our first six colours. An elegant brown created to fit into the mostly transparent palette at the time, this colour easily falls into several colour schemes. It becomes deeper in tone, approaching black as it is melted into larger gathers.

Working Tip: Work in neutral flame to avoid reduction (black with grey wisps)

Shamrock is Glass Alchemy's next generation green, with increased workability and density.

Working Tip: Work this colour in a neutral flame. Garage at 975° F, Anneal at 1050° F.

Serum is the first CFL Activated colour by Glass Alchemy.  This colour shifts from a champagne to a rose colour as you move it from natural to fluorescent light. 

Fluorescent light = Pink

Natural light = Champagne

Serum is the first CFL Activated colour by Glass Alchemy.  This colour shifts from a champagne to a rose colour as you move it from natural to fluorescent light. 

Fluorescent light = Pink

Natural light = Champagne

Sapphire, 5595 is a Brilliant Blue based sparkle colour utilizing the next generation sparkle technology found in Paparazzi.

Working Tip:  This colour likes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a grey haze. As with all chrome colours.

Sapphire, 5595 is a Brilliant Blue based sparkle colou utilizing the next generation sparkle technology found in Paparazzi.

Working Tip:  This colour ikes to be worked cool, but make sure you have your heat base built up while tooling or manipulating the glass to avoid developing a greyaze. As with all chrome colours.

Rozay Rods are a pink version of Purple Rain. Rozay is a vibrant, smooth transparent pink colour that really pops.

Working Tip: Try layering Rozay to achieve a pink tint, or using it in thick solid sections to achieve a vibrant pink.

Product Details:

Red Crayon is a dense, vibrant opaque cadmium based red. Red Crayon has been reformulated from the ground up as a Neo-Cad. 

Working Tip: Pre-heat in outer flame. Avoid rapid heating.

Artist Description by Mike Shelbo:

"Red Crayon is an opaque 'what you see is what you get' (WYSIWYG).

 
Working the colour without encasement in the outer flame is ideal but quick passes in a sharp hot flame closer to your torch tip also works. Red Crayon works smooth and melts down without any potential sublimination if you have a bit of patience and keep from concentrating a sharp hot flame on one spot. It requires time to warm up and allow the heat to penetrate past the surface of the colour. In other words think of your flame as a small brush and move lightly around the area you intend to get molten in a spot heat situation.

This colour works well for blown and sculptural work and murrine. When encased between two layers of clear glass you can blow out quite thin before colour starts to become translucent. Use with Sangria, Orange Crayon, Rasta Gold Crayon, Yellow Crayon, and Acid Yellow Crayon for recreating fire in sculpted and blown glass" - Mike Shelbo